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Wall Street
Crime, Drama Charlie Sheen, Tamara Tunie, Franklin Cover, Chuck Pfeiffer, John C. McGinley Oliver Stone
Bud Fox is a Wall Street stockbroker in early 1980's New York with a strong desire to get to the top. Working for his firm during the day, he spends his spare time working an on angle with the high-powered, extremely successful (but ruthless and greedy) broker Gordon Gekko. Fox finally meets with Gekko, who takes the youth under his wing and explains his philosophy that "Greed is Good". Taking the advice and working closely with Gekko, Fox soon finds himself swept into a world of "yuppies", shady business deals, the "good life", fast money, and fast women; something which is at odds with his family including his estranged father and the blue-collared way Fox was brought up.

Wild Bill
Action, Biography, Western Jeff Bridges, Ellen Barkin, John Hurt, Diane Lane, Keith Carradine Walter Hill
Wild Bill Hickok, famed lawman and gunman of the Old West, is haunted by his past and his reputation. He is loved by, but cannot love, Calamity Jane. Dogging his trail is young Jack McCall, who blames Bill for abandoning the boy's mother and destroying her life. McCall has sworn to kill Bill, and Bill's ghosts, his failing eyesight, and his fondness for opium may make McCall's task easier.

All American Orgy
Television Laura Silverman, Adam Busch, Edrick Browne, Aimee-Lynn Chadwick, Ted Beck Andrew Drazek
Nothing is more relaxing then a trip to cottage country with a group of friends. Enjoying the outdoors, beers by the lake, and a friendly orgy... Hoping to broaden their horizons and save there relationships see the mayhem that ensues when three couples mix sex, drugs and alcohol in a crazy weekend getaway to Cummings Farm.

Animal Kingdom
Crime, Drama Ben Mendelsohn, Joel Edgerton, Guy Pearce, Luke Ford David Michôd
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.

Apocalypse Now
Thrillers Martin Sheen, Marlon Brando Francis Ford Coppola
"Apocalypse Now / Apocalypse Now: Redux"
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of "Apocalypse Now" as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam War, following a battle-weary Captain Willard (Martin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary "Hearts of Darkness", directed by Coppola's wife, Eleanor) informs every scene and every frame, and the result is a film for the ages. --"Jeff Shannon"

"Hearts of Darkness"
"Hearts of Darkness" is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, "Apocalypse Now". Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending. Everything is captured on film. In the most disturbing scene, we watch Martin Sheen have a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --"Dave McCoy"

Cats & Dogs: The Revenge of Kitty Galore
Action & Adventure Chris O'Donnell, Bette Midler, James Marsden, Christina Applegate, Nick Nolte Brad Peyton
A definite improvement over the original 2001 "Cats & Dogs", "Cats & Dogs: The Revenge of Kitty Galore" is a brand-new story about an underground world of animal intelligence, featuring cat spy agency M.E.O.W.S., a dog intelligence agency, and even a pigeon. They find themselves in the unlikely position of joining forces against renegade M.E.O.W.S. agent Kitty Galore as she seeks revenge against dogs and humans in a plan that will destroy the human race and allow her to rule the world. This 3-D film is a blend of live action, puppetry, and animation, and the combination of better writing and a cast of talented voice artists makes the animal spies in this sequel much more believable than in the previous film. Kitty Galore is unlikable to the core and Bette Midler is absolutely perfect in the role. Neil Patrick Harris is highly effective as Lou, head of the dog agency; James Marsden plays the conflicted police-dog-turned-new-recruit Diggs; Nick Nolte plays fellow canine agent Butch; Christina Applegate is M.E.O.W.S. agent Catherine; and Katt Williams as Seamus does a great pigeon. The unlikely cooperation between canine, feline, and bird leads to an action-adventure that takes the agents from dark back alleys to a cat house run by a cat lady pushing catnip and even a local carnival. The action scenes will hold the interest of most children ages 6 to 12, though many of the adults in the crowd may find them rather on the slow side, and kids and adults alike will chuckle at the silly jokes and slapstick comedy that pop up throughout the film. A notable laugh for the adults in the audience comes in an extended scene that clearly invokes Hannibal Lecter in "The Silence of the Lambs". Add in a robot cat, some silly magician tricks--including Kitty Galore zipped into a rabbit suit--a squirrel robot that self-destructs after a quick dance, and the requisite 3-D effects and you've got a perfectly adequate action comedy that kids will enjoy and their parents can stomach without too much complaining. "--Tami Horiuchi"

Charlie St. Cloud
Drama Zac Efron, Kim Basinger Burr Steers
Teen heartthrob Zac Efron ("High School Musical", "17 Again") makes an appealing, and wise, choice as the star of "Charlie St. Cloud". Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now, because of his appealing pinup-boy looks. Efron is delicious eye candy in "Charlie St. Cloud", no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charlie's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If "Charlie St. Cloud" isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --"A.T. Hurley"

Ghosts of Mars
Action & Adventure Natasha Henstridge, Ice Cube, Pam Grier, Jason Statham, Clea DuVall John Carpenter
"Ghosts of Mars" may not be one of John Carpenter's finer efforts, but you can't knock the veteran director for staying true to his roots--it's clearly a Carpenter film, reveling in its B-movie blood lust, and fueled by the director's rock & roll rebellion as well as the sex appeal of star Natasha Henstridge. This rickety sci-fi/horror hybrid recalls Carpenter's "Assault on Precinct 13", with various connections from throughout the director's career--for better and worse. It's the year 2176, and human colonists on Mars are controlled by a political "matronage," with women (for reasons unexplained) holding court in the capitol city of Chryse. Mars Police Force Lt. Ballard (Henstridge) has been sent to retrieve James "Desolation" Williams (Ice Cube), the planet's most notorious criminal, from a remote mining-colony prison. With her ill-fated crew, Ballard discovers that the colonists have nearly all been possessed by ancient Martian spirits bent on reclaiming the planet, turning them into an army of self-mutilating freaks suggesting an unholy union of Marilyn Manson and the sadomasochistic Cenobites from the "Hellraiser" films. None of this makes much sense, and the shaky alliance between cops and criminals is a predictable excuse for rampant battle scenes between surviving humans and the ghost-possessed maniacs. Exotic weaponry abounds (along with cheap special effects and some laughable dialogue), resulting in the gruesome dispatch of expendable costars Pam Grier, Joanna Cassidy, Robert Carradine, and Clea Duvall. Driven by Carpenter's synth-metal score, this violent free-for-all has a few brief highlights, but it's suspenseless and ultimately absurd. It's not much, but for loyal fans it's probably enough. "--Jeff Shannon"

Inception
Thrillers Leonardo DiCaprio, Ken Watanabe Christopher Nolan
Science-fiction features often involve time travel or strange worlds. In Christopher Nolan's heist thriller "Inception", the concepts converge through the realm of dreams. With his trusty associate, Arthur (Joseph Gordon-Levitt, a fine foil), Dom Cobb (Leonardo DiCaprio, in a role that recalls "Shutter Island") steals ideas for clients from the minds of competitors. Fallen on hard times, he's become estranged from his family and hopes one last extraction will set things right. Along comes Saito (Ken Watanabe, "Batman Begins"), who hires Cobb to plant an idea in the mind of energy magnate Fischer (Cillian Murphy, another "Batman" vet). Less experienced with the art of inception, Cobb ropes in an architecture student (Ellen Page), a chemist (Dileep Rao), and a forger (Tom Hardy) for assistance. During their preparations, Page's Ariadne stumbles upon a secret that may jeopardize the entire operation: Cobb is losing the ability to control his subconscious (Marion Cotillard plays a figure from his past). Until this point, the scenario can be confusing, since the action begins inside a dream before returning to reality. Then, after the team gets to Fischer, three dream states play out at once, resulting in four narratives, including events in the real world. It all makes sense within the rules Nolan establishes, but the impatient may find themselves much like Guy Pearce in "Memento": completely confused. If "Inception" doesn't hit the same heights as "The Dark Knight", Nolan's finest film to date, it's a gravity-defying spectacular to rival "Dark City" and "The Matrix". "--Kathleen C. Fennessy"

Raising Arizona
Adventure, Comedy, Crime, Mystery Nicolas Cage, Holly Hunter, Trey Wilson, John Goodman, William Forsythe Joel Coen
Recidivist hold-up man H.I. McDonnough and police woman Edwina marry, only to discover they are unable to conceive a child. Desperate for a baby, the pair decide to kidnap one of the quintuplets of furniture tycoon Nathan Arizona. The McDonnoughs try to keep their crime secret, while friends, co-workers and a feral bounty hunter look to use Nathan Jr. for their own purposes.



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